Toxic Day 9 box office: Yash film at Rs 237cr amid Hanuman Ansh surge — collection table, trailer and OTT outlook.
Toxic — Yash's first release since the KGF juggernaut — has crossed Rs 237 crore India net by Day 9 per early trade estimates, with worldwide gross nudging the Rs 320-340 crore band ahead of verified studio figures. The Geetu Mohandas directorial, produced by KVN Productions and Monster Mind Creations and co-starring Kiara Advani and Nayanthara, opened huge but faces a fierce second-week corridor against Hanuman Ansh and Mirzapur The Movie . That's the story of Day 9: not collapse, but grind. Toxic Day 9: The Rs 237 Cr Mark Day 9 morning shows held at 18-22% occupancy in Karnataka and Telugu states with Mumbai multiplexes stabilising evenings. The Rs 237 crore India net is a respectable mid-run base for a Kannada-origin pan-India film, but the Rs 350 crore worldwide target floated pre-release now needs strong second-week weekday holds. Diaspora gross in Gulf and North America is steady, UK modest — a reminder Kannada breakout still leans domestic. Day-Wise Net vs Worldwide Table Early estimates (subject to studio revision by 10am IST). Gap between India net and worldwide shows overseas pull. Day India Net (Rs cr) Worldwide (Rs cr) Note Day 1 (Thu) 42.5 68.0 Festival push, Karnataka holiday Day 2 (Fri) 31.2 49.5 Working day dip, south strong Day 3 (Sat) 36.8 58.4 Metro multiplex jump Day 4 (Sun) 38.1 60.2 Peak Sunday Day 5 (Mon) 18.4 28.1 Holiday hangover Day 6 (Tue) 16.7 24.9 Hanuman Ansh surge starts Day 7 (Wed) 15.9 22.8 Midweek hold Day 8 (Thu) 14.2 20.4 Mirzapur release eve Day 9 (Fri) 13.8* 19.5* *Early estimate Translate worldwide to local currency with Currency Converter — Rs 237cr is roughly $28.4M or £22.4M — and check ticket math via GST Calculator . Cast, Crew & KVN Scale Geetu Mohandas brings arthouse eye to a mass vehicle — mood, texture, colder palette than KGF. Yash plays a silt-town enforcer with minimalist scarred look; Kiara Advani adds gloss as the pivot, Nayanthara anchors the second half. KVN's spend shows in set design and Devananda-era Karnata
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